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Writer-Talk Tuesday: Changes in B&H Publishing’s Fiction Strategy—and what that means for me and my books.

Tuesday, May 7, 2013

Following is an excerpt from a press release regarding a change in strategy in fiction publishing at my current publisher, B&H:

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      bh-logoB&H Resets Fiction Strategy to Align with Broader Strategies

      NASHVILLE, Tenn. (May 3, 2013) –B&H Publishing Group president Selma Wilson has announced a new strategy for the company’s fiction program.

      Uniquely positioned for developing strategic partnerships, B&H will intentionally focus on publishing only those novels that are tied to broader strategic endeavors, including initiatives with ministries, external film partners, LifeWay Films, and the B&H Kids line. Past releases using this model have included such best sellers as The Love Dare, The Vow, The Resolution for Men, as well as titles such as October Baby and Unconditional. New and upcoming releases include the Experiencing God at Home line, The Lost Medallion by Bill Muir and Alex Kendrick and The Truth Seekers Series by Bill Myers.

      “B&H is focusing on projects that align with our core strengths,” said Wilson. “We are uniquely gifted in working alongside partners and utilizing all of the tools that LifeWay Christian Resources is blessed to have. We are a team of people who want to spread the gospel around the world, and we believe we accomplish that best when we deploy our gifts to broader movements alongside strategic relationships.” . . .

You can read the entire press release here.

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So what does this really mean? Well it means that the separate, stand-alone fiction program, of which I am a part, will go away. Instead, they will focus on fiction that ties in with their nonfiction projects as well as film novelizations, which do very well for them. Right now, the fiction they had scheduled through next spring (March/April 2014) will still be published—which means that An Honest Heart will still release this fall as planned.
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However, The Heart That Waits will not be published by B&H. This means that what was originally a trilogy will now only be a duet, as I do not plan to complete this book in the foreseeable future. If that changes, my dear blog readers will be the first to know.
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It also means I now have a greater opportunity to look at this list of possible books to write next and really have some fun with what project I choose to dive into.
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What questions do you have about this—this particular situation, my book(s), or the publishing industry in general?

I can’t promise I’ll be able to answer (I may not know the answer), but I’ll give it a shot. These kinds of announcements always raise more questions than they answer, and I want this to be the place where you feel like you can ask.

What Are You Reading? (May 2013)

Monday, May 6, 2013

It’s the first Monday of the month. Get your lists ready!

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  • What book(s) did you finish reading (or listening to) since last month’s update?
  • What are you currently reading and/or listening to?
  • What’s the next book on your To Be Read stack/list?

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Since the April 2013 update, I’ve finished . . .

  • An Offer From a Gentleman (Bridgerton Family book 3) by Julia Quinn. Started 4/6/13. Finished 4/11/13. (4 stars, click title for my Goodreads review)
  • A Kiss for Midwinter (novella) by Courtney Milan. Started 2/28/13. Restarted 4/16/13. Finished 4/18/13. (3.75 stars, click title for my Goodreads review)
  • I Thee Wed by Amanda Quick. Audiobook read by Barbara Rosenblat. Started 4/16/13. Finished 4/29/13. (4 stars for the story, 3 for the audio recording, click title for my Goodreads review)
  • The Winter Queen by Amanda McCabe. Started 4/29/13. Returned to library on due date 5/3/13. (1 star/DNF, click title for more info)

I’m currently reading . . .

  • Her Royal Spyness by Rhys Bowen. Audiobook read by Katherine Kellgren. Started 4/30/13. This one started out rousing enough—the reader is great. But I’m twelve or so chapters in, and I’m losing interest in the story because nothing is happening.
  • Her Warrior King by Michelle Willingham. Started 5/3/13. (Currently reading). Didn’t realize this was the second book in the series until I pinned it!

Currently waiting to be read . . .

    I’ll be teaching Survey of Literature this summer (starting 5/25), so I’ve got some short stories, poetry, and plays to get caught up on!

FOLLOW THE HEART: Winners of the signed-copy giveaway!

Wednesday, May 1, 2013

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Using Random.org/integers to pick from the spreadsheet list of every comment on every post from April 15 to yesterday, here are the five winners of signed copies of Follow the Heart I’ve linked each name to one of your comments so you know for sure if it’s you (since none of you posted last names on your comments, you sly things!) . . .

Winners—please e-mail me your complete snailmail address and how you would like your book signed (to you, generic—for a giveaway, or to someone you’d like to give it as a gift).

Amber
Michelle H.
Janella
Emma
Dora

FOLLOW THE HEART: Your Questions Answered—and a Question from Me to You!

Tuesday, April 30, 2013

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TODAY is the last day of the contest in which five commenters will win a signed copy of Follow the Heart. Be sure to get plenty of comments in today—remember, each comment earns you an “entry” in the drawing!

You asked, now I answer . . .

Janella asked: Without giving too much away, how is the inspirational message woven into each book?

      Janella, each book has an inspirational message that is as individual and unique as the stories and the characters. Since this is something that I’ll want to focus on with each book separately, I’ll refer you to the next questions/answer for the message in Follow the Heart.

Dora asked: A few authors which I read base their books on scripture that is woven throughout the story and upon which the entire story is built. Is there a certain passage or biblical theme upon which you build your stories? If so, upon which particular scripture is Follow the Heart based?

Emma asked: I second Janella on the faith question. Since, this is inspirational fiction, how do you weave faith into your novels? Do you start with an idea, or do you just write and just see where the story goes?

      Women, especially, tend to look at our choices as a series of obligations—we do what we feel we are obligated to do for the sake of our families, not necessarily what we feel our hearts are telling us to do. I believe, and it’s the theme of this book, that we spend too much time worrying about how we can fix/help/support our families (or those around us at work or in friendships) and not enough time listening to and trusting God. When we pray, we tend to tell God what’s wrong and ask him to fix it. But do we ever really take the time to just be still and listen to what God is trying to tell us? And can we really let God take care of those we feel responsible for and let go of that burden of responsibility that may not, in truth, be ours to bear?

      The key passage of scripture for this book is Matthew 6:25–32.

      Did I set out with this theme/scripture in mind? Thematically—yes. The story was based on the question of whether or not a woman would follow her heart into a romance that could mean continued deprivation for her family or marry for money and sacrifice her own happiness for her family’s well-being. The scripture passage came to me organically (pardon the pun) because Kate loves the outdoors and all growing things, so, naturally, a verse that focuses on lilies would appeal to her.

Elaine Key wrote: Give me a brief synopsis of Follow the Heart. Who are the characters? Make me interested in the book.

      I’ll try my best, Elaine! Here’s the pitch line I used in the proposal:

      An American woman is sent to England to marry wealth, but finds herself torn between the poor man she loves and the viscount who offers the wealth and stability that can save her family.

      And here’s a snapshot of each of the four main characters:

      Katharine “Kate” Dearing: An American spinster whose father has gambled away the family fortune so sends her to England to find a wealthy husband. Kate finds love for the first time in her twenty-eight years, but is he the man who can save her family?

      Christopher Dearing: Recently finished with law school and an apprenticeship at a law firm in New York, Christopher finds himself bundled off to England with his sister. His hopes lie not in marrying money, but in making it in the booming English railway industry. He finds love, but following his heart could mean forcing his sister to sacrifice her own.

      Honora “Nora” Woodriff: Sent out to find work to support her family at a young age, Nora has resigned herself to the solitary life of a governess. That is, until a brash, dashing American comes to stay at her employer’s home. Can she risk her heart and her future security on a young man with no prospects of inheritance?

      Andrew Lawton: After seeing his mother die in the poorhouse of lung rot when he was only eight years old, Andrew has spent his life working to avoid ending up there himself. The posting to redesign the gardens and park at Wakesdown Manor for Sir Anthony Buchanan is his first as an independent landscape gardener. Andrew desperately needs to prove himself in order to secure his future, but falling in love with his employer’s niece may cost him everything.

Anonymous e-mailed to ask: How do you work, teach, and write at the same time?

      It’s hard—and I have to admit that in the first six to eight months after going back to work full-time and starting to teach part-time, it was hard trying to figure out a balance. But once I put myself on a strict schedule—and started making myself meet a word-count goal daily—it started getting much easier. I do much better when I have too much to do than when I have not enough.

Megyn emailed this question: I know you’re working on the other books in this series right now, but are you already planning for what you’ll write after you finish this?

      I posted a little while back about all of the story ideas that I’ve got running amok in my head. Right now, I’m not leaning one way or another as to which one I’m most passionate about—because that would require pulling too much focus away from getting The Heart That Waits written. But I’m sure as soon as I figure it out, I’ll be letting everyone here know!

Here’s a question from me that everyone can answer—as a way to get more entries in the drawing!

If you were to star in a romantic movie, would it be contemporary or historical, drama or comedy, and what actor would play your leading man?

If I were to star in a romantic movie, it would be a humorous contemporary. Melissa McCarthy, Queen Latifah, and Adele would play my three best friends with whom I share a large house in the ’burbs of Nashville, and Oded Fehr would be a highly respected (and wealthy) surgeon at Vanderbilt University Medical Center and he would fall head-over-heels in love with me. Of course, tomorrow, I could be an independent Englishwoman who travels to New Zealand in the early 20th Century there to meet the handsome, charming Karl Urban and, after some humorous misunderstandings and miscommunication, we live happily ever after on our sheep farm.

On May 1, I will be giving away FIVE signed copies of Follow the Heart.

Today is the last day—so get your comments posted! I’ll be announcing the winners in tomorrow’s post.

Comment early, comment often!

FOLLOW THE HEART: Ask a question, any question.

Monday, April 29, 2013

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Tomorrow is the last day of the contest in which five commenters will win a signed copy of Follow the Heart. Today, I’m turning tomorrow’s post topic over to you—by asking you to post questions for me to answer.

What questions do you have for me—about Follow the Heart, the series, the characters, the settings, or anything else story related? Or do you have questions for me about being a writer?

I can’t promise I’ll answer everything in detail—after all, I wouldn’t want to give any spoilers—but I’d love to hear from you and know what you’re curious about!

On May 1, I will be giving away FIVE signed copies of Follow the Heart.

Beginning Monday, April 15, 2013, and ending Tuesday, April 30, 2013, I’ll be doing a series of blog posts on the background and inspiration for the Great Exhibition series and Follow the Heart. Each comment you leave on every post between 4/15/13 and 4/30/13 will earn you a name in the “hat” for the drawing. (Posts will be closed to new comments after 24 hours, so be sure to check in daily—subscribe via email above, or check my Twitter or Facebook page, as each new post gets announced there, too—for the latest post to comment on.)

Comment early, comment often!

FOLLOW THE HEART: The “Soundtrack”

Friday, April 26, 2013

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Because I cast my characters and scout my locations pretending like I’m making a movie, of course I have to have a soundtrack for each of my stories as well. It started with Stand-In Groom, in which music plays a major role in the story (click the title to see the playlist).

In Follow the Heart, not only did I need music to listen to while writing that would put me in the right frame of mind for the tone/characters/story, I needed to make sure that any music I mention by name in the book was actually out by early 1851. I also learned a lot about the popular dances at society balls in England in the mid-Victorian era.

While the “soundtrack” for FTH isn’t as well-defined as the one I did for SIG, here’s a sampling of the music that inspired me as I wrote.

Follow the Heart Main Theme

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Christopher Dearing’s Themesong

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Kate Dearing’s Themesong

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Nora Woodriff’s Themesong

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Andrew Lawton’s Themesong

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LET THERE BE MUSIC AND DANCING!

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Music for Writing Inspiration
In addition to those specific songs, there were many more hours of music I listened to, including (click link to listen on YouTube):

Pride & Prejudice 2005
Pride and Prejudice 1995
Cranford/Return to Cranford
North & South (Gaskell)
Sense & Sensibility 1995
Sense & Sensibility 2008
Emma 2009
The Young Victoria
And lots and lots of ThePianoGuys.

FOLLOW THE HEART: Behind the Cover with Designer Kirk DouPonce

Wednesday, April 24, 2013

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I am super excited today to introduce the cover designer we’ve been working with for the Great Exhibition series, Kirk DouPonce of Dog Eared Design. I’ve always wanted to interview a designer to find out what happens in the cover-design process.

Welcome, Kirk!
How did you develop the concept for the cover of Follow the Heart?

The Pinterest board you provided was invaluable in concepting this cover. It provided numerous character images, period clothing, and illustrations of the Crystal Palace. Another source of inspiration came from the movie North and South which I pulled from my wife’s DVD collection after reading the story synopsis.

The challenge was to create a cover that immediately tells the viewer that this is a historical romance set somewhere in the mid-1800s. And if they’ve watched North and South, they’ll hopefully recognize the setting. Finding appropriate models and period clothing wasn’t too difficult, but placing them in the Crystal Palace, a building that no longer exists, was tricky.

Transept
Transept of the Crystal Palace. (Getty Images)

I modeled the palace using 3D software which allowed me to easily view the structure from any angle. This helped in figuring out the general composition. I purposely didn’t put much detail into the 3D model. There was going to be a lot going on in this 5.5″ x 8.5″ piece of real estate, the less busy I could make it the better. Also, I knew I’d need to place type legibly over the structure, another reason not to go crazy with the detail.

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Computer rendering of the Crystal Palace. (Kirk DouPonce)

With the background generally worked out the next step was finding the perfect clothing and models who fit the story.

Tell us briefly how you go about finding/booking models.

I live in a fairly small town up in the mountains of Colorado. Finding local models isn’t too easy though there are a few locals who’ve found their way onto covers. Most of the time, however, I work with modeling agencies in Denver which is a good 2 1/2 hours away. When I do that, I either pay by the mile for models to come up here, or, if I have numerous shoots, I’ll rent a studio down there. A third option is to use a website called ModelMayhem.com. The site is for amateur and professional models who don’t have representation. This is where I found our model Jordan, and it was actually the first time that I had used the site.

Jordan

How do you find costumes for historical covers like this?

Time permitting, I like to work with Lynna Perry, a local woman who’s amazing at putting professional-level costumes together. Time is usually not permitting, so I often rent the costumes from Hollywood where many of the items have been used on movie sets. Stage theaters are also good for renting costumes. The dress and men’s clothing for this cover came from a theater in Minneapolis.

Kaye: Here is the first set of costumes Kirk sent me as possibles for the cover:
First Set of Costumes
My first thought: I’ve never been this deeply involved in the cover design process before!
My second thought: Those have just a little too much of a prairie-western vibe to me.

So, bless him, Kirk went back to the drawing board and came up with two other fancier options:
Brown Applique Dress

Purple dress

Was there any doubt which one I would choose? 😉

Walk us through photo-shoot day.

Scheduling models and costumes isn’t all that enjoyable, neither is set up and tear down, but the shoot itself is fun. Models photograph better when they’re relaxed. I have a couple people I work with who help to create a comfortable atmosphere. They are Stacy Gwinn, who generally assists with everything including helping models into multi-faceted dresses, and James Einhorn, hair stylist and make-up artist extraordinaire. Cranking up Barry Manilow or MegaDeth helps too.

During the shoot I’ll give some direction but I try to keep it very general. Some models get it right on the first click, others may take a few hundred more. I’m not sure how many shots I take during a standard shoot, but I’m very thankful for cameras that don’t require film.


Model Jordan in costume. (Kirk DouPonce)

How long does the photo shoot take?

The actual shoot itself takes under two hours, much less if there isn’t a lot of costume changing. I shoot with my camera tethered to my laptop, meaning everything I shoot shows up on the screen. It’s helpful to break every now and again so that the models can see the shots.

Once you have all the photos, do you ever change your mind about your original concept for the cover?

Yes, that happens often. After the shoots are done I’ll do a low resolution “sketch” in Photoshop to decide which photos work best.

sketch
Photoshop sketch image. (Kirk DouPonce)

How many variations do you go through, on average, before you come up with the final design?

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An early design concept for Follow the Heart. (Kirk DouPonce)


It usually takes numerous variations before the final composition is worked out. Then the heavy lifting in Photoshop begins. As you can see from the photos there was a lot of post production on these. You can see how huge the dress was on Jordan. I used my paster, Jeff Gwinn, for the men’s shoot knowing that I’d be switching out his head for the final. I’ve actually used him a number of times for this sort of thing. He likes to brag that he has the body of a young stud!

JeffHead

After the imagery is completed, the next battle is to work out the typography, a job all by itself. You can see a couple of the type variations.

Typography
Typography variations. (Kirk DouPonce)

And that is how a book cover gets designed!

A huge thanks to Kirk for joining us today. I hope you’ve learned as much as I have about how much work and effort goes into designing a gorgeous book cover!

On May 1, I will be giving away FIVE signed copies of Follow the Heart.

Beginning Monday, April 15, 2013, and ending Tuesday, April 30, 2013, I’ll be doing a series of blog posts on the background and inspiration for the Great Exhibition series and Follow the Heart. Each comment you leave on every post between 4/15/13 and 4/30/13 will earn you a name in the “hat” for the drawing. (Posts will be closed to new comments after 24 hours, so be sure to check in daily—subscribe via email above, or check my Twitter or Facebook page, as each new post gets announced there, too—for the latest post to comment on.)

Comment early, comment often!

FOLLOW THE HEART: Setting the Scene

Tuesday, April 23, 2013

When I write, the one thing I must do other than cast my characters is to find images of my settings—from the city to the sitting room, I need to have a concrete image to inspire me, even if it’s just a hand-drawn town map or house floor plan.

This is even more important for me with the historical settings, because I not only need to know what furniture, wall treatments, windows, rooms, and houses looked like back then, but I’m working in cities (and a country) I’ve never personally been to. So research and image collection are vital. And with internet image search so easy, this is a lot easier to do now than it was ten or fifteen years ago.

Here’s a glimpse at some of the key settings featured in Follow the Heart:

Oxford, England
I, personally, have always lived in a college town (Las Cruces, NM; Baton Rouge, LA; Nashville, TN)—and I much prefer smaller cities (as evidenced by my creation of Bonneterre), so Oxford has always held more interest to me than London. Even though the university is a HUGE part of Oxford proper, my stories take place on the literal outskirts of the town—in the country or the suburbs (yes, “suburbs” was a term in use in 1851). It’s hard to find images of Oxford that aren’t of the university buildings. (Click each thumbnail to see the larger image on Pinterest.)

Oxford Map Oxford Oxford 2 Oxford 3 Oxford 4 Oxford 5

Wakesdown Manor
This is the location of the primary action in the story—the home of Kate and Christopher’s uncle, Sir Anthony Buchanan. The template for Wakesdown Manor is Althorp Hall, the ancestral home of Princess Diana—the seat of the Spencer family since 1508.
The Wakesdown Conservatory, Orangery, Gardens, and Folly
Well . . . maybe saying the house is the location of the primary action of the story isn’t entirely true—because many important things happen in the conservatory, orangery, gardens, and park, with one very important scene happening in the folly.

Andrew's Cottage

Andrew’s Cottage

Gardeners' Bothy Gardener's Lodge Conservatory Orangery ext Orangery-interior Gardens 1 Gardens 2 Back Garden

The folly in the park at Wakesdown

The folly in the park at Wakesdown

The Great Exhibition at the Crystal Palace in Hyde Park in London
I’ve done a few posts with images from the GE which you can find here:

The Great Exhibition—The Crystal Palace

The Great Exhibition–Inside the Crystal Palace

Getting to the Great Exhibition

Wordless Wednesday: May 1, 1851

Obviously, this isn’t an exhaustive list of the settings in the book—but these are the most important. If you have any questions about the setting, please feel free to ask!

On May 1, I will be giving away FIVE signed copies of Follow the Heart.

Beginning Monday, April 15, 2013, and ending Tuesday, April 30, 2013, I’ll be doing a series of blog posts on the background and inspiration for the Great Exhibition series and Follow the Heart. Each comment you leave on every post between 4/15/13 and 4/30/13 will earn you a name in the “hat” for the drawing. (Posts will be closed to new comments after 24 hours, so be sure to check in daily—subscribe via email above, or check my Twitter or Facebook page, as each new post gets announced there, too—for the latest post to comment on.)

Comment early, comment often!

Fun Friday–A Look Inside Kate’s Closet

Friday, April 19, 2013

Fun Friday 2013

One of the major differences between the Regency period (in which The Ransome Trilogy is set) and the early Victorian period in which the Great Exhibition series takes place is the fashion. I had so much more fun “dressing” my characters in this book. Colors and patterns and shapes and fabrics! Though I tried to give the ladies some variety back in 1814, the truth was there wasn’t much I could do for them. The Empire fashions were somewhat limited. But, ah, this era . . .

In the early 1850s skirts got as wide as they could without the help of the hoopskirts we typically think of when we look at dresses from that era. But hoopskirts (a version of which had been so popular in the 18th century) did not come back until 1855/56. The large, bell-shaped skirts of the late 1840s/early 1850s were accomplished with petticoats and crinolines.

Wait, you say. Aren’t crinolines and hoopskirts the same thing?

No. Actually, the word crinoline comes from the French term crin which means horsehair and lin which means flax (horsehair and linen—the fabric that comes from flax—were woven together). Crinolines were stiff, woven or quilted petticoats, sometimes so stiff they could almost stand up on their own! With a combination of petticoats (ruffled, starched, etc.), these underpinnings managed to create the volume we see in the pre-hoopskirt fashions. But that’s enough of a history lesson. Let’s get on to the fashion show!

Whether actually described in the book or not, these gowns/plates (among many others found here–click each link to learn more/see the original source) served as inspiration as I pictured Kate’s wardrobe. (Actually, the yellow one in the last image served as inspiration for a gown that Nora ends up wearing.)

FOLLOW THE HEART: Who? What? Why? Where? When? How?

Thursday, April 18, 2013

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How long did it take to write?

    I came up with the story idea in August 2010 and wrote up a proposal which my agent started pitching. In January 2011, I wrote three sample chapters at the request of a few publishers. But I didn’t write any more than that until August 2011 when I signed the contract with B&H. I turned the manuscript in the first week of May 2012. So it was almost two years from concept to completion, but about nine months of actual focused writing.

How did you get into the mindset/history of the era?

    I had a basic knowledge of the mid-19th Century in England through studying both history and literature in college. But I really started learning about it in earnest when I became fascinated with the Great Exhibition several years ago and decided it would make a great backdrop to a series. I tend to first start getting into an era by watching costume-drama adaptations of novels written or set during that time and in that location. In this case—lots of Charles Dickens and Elizabeth Gaskell, and lots of bio-pics about Queen Victoria’s early life/rule. Can it get any better? Being able to watch North & South and The Young Victoria over and over and over again and call it “research”? Then I start reading the books on which those movies are based. I “collect” interesting words and turns of phrase, look for methods and manners to behavior and social interaction, get a feel for the way the English language was used by those who knew it best during that time. I also find nonfiction research books that can explain the household, society, gender politics, travel modes, fashion, etc.

What interests you most about the Victorian era?

    I love that it still has the sensibility of the Regency era—from the activities like balls and dinners to the formality of courting customs—yet in 1851, the world is on the cusp of the Industrial Revolution: train and steamboat travel, telegraph, indoor plumbing (“retiring/refreshing rooms” with pay toilets at the Great Exhibition!). I also love that women were starting to come into their own a bit more. Still not considered equals, but at least starting to get some recognition for their contributions and accomplishments in society.

Which character in this book is most like you?

    I’d probably have to say Kate, though, and not just because we share the same full first name. Like Kate, I tend to take on a lot of responsibility and feel obligated to do things because I think it’s my duty. I don’t want to disappoint others, so I’ll work myself literally into a sickbed rather than delegate or let something slide.

Why did you choose to set this series in Oxford, when the Great Exhibition took place in London?

    I read at least three or four British-set historical romances each month—and without fail, the majority of them are set in London. It’s a setting that has become over-exposed. Also, with a landscape architect as my main hero, I needed the action to take place at a country house, not in the city. By the 1850s, Oxford was a large enough city to have railway service to all of the other major cities, but still quaint/small enough to give the small-town feel that I love to use in my stories. Plus, there was a lot of chaos happening in London in early 1851 due to the final preparations for the Great Exhibition, and I felt like that could overwhelm what I wanted my story and settings to be.

Readers, what questions do you have about this book or this series? Questions about the characters, the setting, the Great Exhibition—all are welcome!

On May 1, I will be giving away FIVE signed copies of Follow the Heart.

Beginning Monday, April 15, 2013, and ending Tuesday, April 30, 2013, I’ll be doing a series of blog posts on the background and inspiration for the Great Exhibition series and Follow the Heart. Each comment you leave on every post between 4/15/13 and 4/30/13 will earn you a name in the “hat” for the drawing. (Posts will be closed to new comments after 24 hours, so be sure to check in daily—subscribe via email above, or check my Twitter or Facebook page, as each new post gets announced there, too—for the latest post to comment on.)

Comment early, comment often!