Writer’s Window and Fab Feb Book Drawing Winners!
The winner of Nicole Baart’s book Beneath the Night Tree from
last week’s Writer’s Window feature is:
Regina Merrick
The winner of Love Remains and The Art of Romance is:
Kav
The winner of Ransome’s Crossing and Ransome’s Quest is:
Henya
Up for grabs this week:
On Writer’s Window: Leslie Gould’s The Amish Midwife (drawn from comments on Monday’s post).
For FabFeb: Love Remains & The Art of Romance and Ransome’s Crossing & Ransome’s Quest (two winners, drawn from comments on Tuesday’s through Friday’s posts).
Good luck! 🙂
Fun Friday–Sneak Peek at THE ART OF ROMANCE
So, since I’m running a contest for y’all to win copies of books that don’t even have the “Look Inside” feature available on Amazon yet, I thought that for this week and next week, I’d give you a sneak peek inside my two summer releases. Today, it’s The Art of Romance.
A couple of months ago, I uploaded the (unedited) first chapter of TAOR, which you can read as a PDF here. I highly recommend you read that before you read the rest of this post.
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THE ART OF ROMANCE (May 2011)
Book 2 of the Matchmakers Series
ISBN-13: 978-1-60260-990-7
Barbour Publishing
Copyright © 2011 by Kaye Dacus
Chapter Two
Dylan pulled his Ford Escape into a parking space right beside another Escape. He’d wanted to get the small, hybrid SUV in the white, but not a single dealer in Philly had one with the options he wanted, so he took it in blue instead. He sure did like the way it looked in white, though.
. . . . .The parking tag hanging from the rear-view mirror announced this SUV belonged to a member of the faculty. And the Improve Your Future—Read a Book Today bumper sticker made him suspect that faculty member was one of the English professors.
. . . . .He took out his phone and used its web feature to pull up the map of the college campus again. This building should be where he would find Perty’s friend’s granddaughter, as long as she wasn’t in class. He let himself in a side door of the stone building that looked like it had been a house, albeit a large one, in a previous life. A musty smell—one he usually associated with old people’s houses—permeated the building. Not surprising, given that every window had an AC unit hanging out of it, covered with tarps to try to hold out the chilly weather.
. . . . .The quiet that filled the hall pressed on Dylan’s ears. The few offices on this floor were all closed up. He found the stairs. According to the school’s website, Dr. Caylor Evans’s office was on the second floor of Davidson Hall. He reached the top of the stairs and turned left. Yep, there it was. Room 203. But the door was closed.
. . . . .She could have a student in there—or she could be in class, or even gone for the day.
. . . . .He knocked.
. . . . .No response.
. . . . .Oh, well. He could tell Perty he tried.
. . . . .She had all kinds of stuff taped to her door. Quotes from Byron and Elizabeth Browning and Jane Austen and Sir Walter Scott. A final exam schedule—and her exams were all scheduled for next week. And—
. . . . .He lifted the corner of the exam schedule.
OPEN AUDITIONS
Auditions for the spring production of MUCH ADO ABOUT NOTHING will be held in Rutherford Auditorium January 10 & 11 from 2:30 to 6:30 p.m. Open casting call for the following roles. . .
. . . . .What followed was a list of the secondary characters and bit players in what was the only Shakespeare play Dylan knew well—and then only because Rhonda had loved the movie version of it so much.
. . . . .He really needed to stop relating everything in his life to Rhonda. But, truth be told, she’d exposed him to many things he otherwise would still be ignorant of. He wished he could get some of that innocence back. Culturally speaking, she had enriched his life.
. . . . .But anyway. . .
. . . . .He released the exam schedule and let it fall back over the audition announcement, then started back down the stairs. At the halfway landing, he almost ran into someone coming up.
. . . . . “Sorry,” they both said at the same time.
. . . . .The woman he’d almost bowled over steadied herself with one hand on the railing, the other arm wrapped around a pile of books. He reached out to assist, just in case, but she regained her balance quickly. She blinked at him a couple of times.
. . . . . “I know you, don’t I?”
. . . . .No—he was pretty sure he’d remember a gorgeous redhead who was probably the tallest woman he’d ever met—almost as tall as his own six-foot-three. “I don’t think so.”
. . . . . “You look so familiar to me.” She shook her head and laughed, showing slightly crooked front teeth that only made her cuter. “I’m getting to an age where I’ve met so many people that I’m starting to get that sensation no matter where I go—you know, the sensation that you’ve met the people there before?”
. . . . .He couldn’t really identify. And, besides, she couldn’t be much older than him, if at all.
. . . . . “Well. . .is there someone or something I can help you find? You look a little lost.”
. . . . . “I. . .” He searched his pockets for the slip of paper with the name he needed. “I need to see Dr. Holtz in the Art Department.”
. . . . . “Oh, you’re in the wrong building, hon. You need to go out the front door and across the quad to Sumner Hall. That’s where the Art Department is.” The woman’s blue-green eyes scrutinized him as if trying to figure out who he was and where she might know him from. “Are you a student here?”
. . . . . “No. I haven’t been a student for several years now.”
. . . . . “Oh—you’re an adjunct?”
. . . . . “I hope to be.” He returned the note to the coin pocket of his jeans.
. . . . .She shifted the pile of books into her left arm and extended her right hand. “Well, if you ever need anything, feel free to ask. I’m Dr. Caylor Evans.”
. . . . .Really? She was Caylor Evans—the woman he’d wanted to avoid? He took her outstretched hand. “Dylan Bradley.”
. . . . . “Brad. . .” Her eyes widened and she held onto his hand. “You’re not related to Perty—Helen Bradley, are you?”
. . . . . “She’s my grandmother.” He pulled away from her grasp.
. . . . . “That’s why you look familiar. I met your brother—oh, what was his name—the physicist?”
. . . . . “Paxton?”
. . . . .She snapped her fingers. “Yes, Paxton. I met him at a family cookout back in October. He looks a lot like you. I hope that theoretical physics stuff is going well for him.”
. . . . .He liked her crooked grin, the way the right corner of her mouth came up just a little higher than the other when she smiled. “I guess it is.”
. . . . .He avoided getting into any kind of conversation with Pax—a candidate for a PhD in Medical Physics from Vanderbilt University, though with as often as the oldest of Dylan’s three younger brothers used the word theoretically when talking about his research, it was no surprise Caylor had misinterpreted what he did as theoretical physics.
. . . . . “I couldn’t understand a word of it when I met him.”
. . . . .She had perfectly shaped lips. He could almost feel the sweep of his pencil as he outlined them and then shaded to show their fullness.
. . . . .But, no. He didn’t do art like that anymore.
. . . . .Her smile started to falter. Probably because he hadn’t said anything yet, and it was his turn. “Out the front door and across the quad to Sumner Hall?”
. . . . . “What—? Oh, yes. I believe Dr. Holtz’s office is on the third floor.” Her short hair danced in asymmetric layers and waves around her head. He would need oranges and reds and umbers and golds—
. . . . .No. He did not paint people anymore. Just abstracts. That was his style. Not beautiful women he ran into, whether by design or accident.
. . . . .He backed away. “Thanks.”
. . . . .She shifted her stack of books again. “You’re welcome. It was nice to meet you.”
. . . . . “You, too.” He went down a few steps, then turned around. “Merry Christmas.”
. . . . .She looked down from several steps up, and the lopsided grin had returned. “Merry Christmas to you, too, Dylan.”
. . . . .He ran the rest of the way downstairs and hurried out the front door and down the steps from the building’s porch.
. . . . .There. He’d met her. She would tell her grandmother and her grandmother would tell Perty. And everyone would be happy.
. . . . .He stopped in the middle of the quad. Everyone would be happy but him. The memory of her face, her hair, her lips, the curve of her neck between her almost-square jaw and the collar of the white blouse she wore under her purple sweater. . .her image would haunt him. Would drive him to the brink of cracking until he gave in and drew her.
. . . . .He’d met hundreds, maybe even thousands, of gorgeous women in his life. Before he met Rhonda, he’d sketched many of them. Since Rhonda had convinced him to change his form to abstract, he’d given fleeting thoughts to drawing a beautiful specimen. But none of their images had urged him to put pencil to paper once more the way Dr. Caylor Evans’s did.
. . . . . No.
. . . . .Trying to brush the annoyance from his mind, he started walking toward Sumner Hall again. He would not draw Caylor Evans. He would not give her one more thought. He’d done what his grandmother wanted. Now it was time to see about doing what he wanted, and that was teaching art. Dr. Evans was a passing distraction.
. . . . .And as long as they never passed each other again, he might get over this urge to draw every feature he could remember—from her slightly crooked front teeth to the way her right eye squinted up just a little more than the left one when she smiled.
. . . . .While JRU wasn’t a huge school, it was big enough. It couldn’t be too hard to avoid her. Could it?
* * *
“Do you remember Mr. Science Guy from the family cookout back in October?” Caylor twirled a bent-open paperclip with the thumb and forefinger of her left hand.
. . . . . “The tall skinny guy with the pimply neck?” Zarah Mitchell, one of her best friends from college, asked.
. . . . . “Yeah. The one who wanted to tell me all about his experiment while we were there.”
. . . . . “I remember him. Don’t tell me he called you and asked you out.”
. . . . .With her cell phone tucked between ear and shoulder, Caylor used her right hand to scroll through the list of unread e-mails sitting in her inbox to determine if any of them needed to be addressed before she left for the day. “No, he didn’t call. But I met his brother Dylan a few minutes ago—his older brother, by the looks of him.”
. . . . . “Really?” A hint of excitement came through Zarah’s voice. “How much older?”
. . . . . “Probably not much. I’d say he’s probably in his late-twenties.”
. . . . . “Does he look just like the scientist?”
. . . . .Caylor didn’t have to search hard to recall the memory of Dylan Bradley’s looks. In fact, she hadn’t been able to stop thinking about him since the run-in. “A little bit—but even cuter. Oh, and he’s taller than me, too.”
. . . . . “That’s a bonus.”
. . . . .Right at six feet tall—with a love of shoes with two- or three-inch heels—Caylor’s head was always turned by a man whom she had to look up to. Physically and intellectually. Today, she was wearing flats and he’d been a few inches taller. His face floated before her mind’s eye again. “There’s something about this guy that’s so familiar, and I can’t put my finger on it.”
. . . . . “He looks like his brother?”
. . . . . “Yeah. . .that’s partly it. But I feel like I know him from somewhere—like we’ve met before.” She opened an e-mail to see if it was as important as the subject made it sound, but it wasn’t so she closed it again.
. . . . . “Your grandmothers are best friends. It’s likely that you met him sometime when you were both younger and just don’t remember it. So. . .are you going to go for it?” A teasing lilt softened Zarah’s voice.
. . . . .Caylor leaned back in her chair. “Go for what?”
. . . . . “This guy. . .Dylan. You’ve been saying you might have to start taking the initiative if you’re going to have any marriage prospects before you’re forty. You only have five years left, dear.”
. . . . .The bent paperclip flew from Caylor’s fingers and landed with a slight tick somewhere across the small office. “Thanks for the reminder.” Actually, she had five years and six days left. “I don’t think so—he’s way too young for me.”
. . . . . “If he’s in his late twenties, he can’t be more than five or six years younger than you. That’s nothing.”
. . . . . “Says the lady engaged to a man two years older. Any change on setting a wedding date?” Though haranguing her friend about her open-ended engagement took the focus off the idea of Caylor’s asking a younger man out, she had to swallow back the bitterness of envy every time she talked to Zarah about the engagement or the as yet unscheduled wedding. Two years older than Zarah and a year older than their other best friend, Flannery McNeill, Caylor had always assumed she would get engaged and married first. None of them, Zarah included, had ever dreamed that Zarah would be the first engaged, first married. Of course, considering she was engaged to the guy she’d met and fallen in love with when she was seventeen years old, his coming back to town after so many years had given Zarah an advantage in the snag-a-man category.
. . . . .She hadn’t told Zarah yet, but Zarah and Bobby’s experience—meeting young, falling in love, being broken up by her emotionally abusive father, resenting each other for years, and then coming back together fourteen years later—had inspired a novel idea for Caylor. And now she had returned all of her edits on the last manuscript on her current contract, she could start working on the proposal for a new series.
. . . . . “No change. We’re still discussing whether I’ll sell my house or he’ll get rid of his condo. He likes the more urban-lifestyle feel of the apartment—reminds him of living in L.A. He says my house feels too suburban for him. But I hate the idea of sharing walls—or that our floor is someone else’s ceiling. It creeps me out.”
. . . . .Caylor picked up a pen and pulled the black-vinyl covered spiral notebook out from her messenger-style bag. She flipped open to the first blank page, about halfway through, and wrote: Have engaged couples argue about where they’re going to live? Too urban/too suburban.
. . . . . “You’re writing down what I said, aren’t you?”
. . . . .She closed the notebook and clicked the pen closed. “Just jotting down an idea while it’s fresh in my mind.
. . . . .Zarah gave a long, exaggerated sigh on the other end of the phone line. “Just mention me in the acknowledgments, okay?”
. . . . . “As always.”
. . . . . “My tour group just arrived. Everything ready for tonight?”
. . . . .Oh, yes, the original reason for this phone call. “Would I miss our Christmas dinner? It’s been a tradition for—what?—ten, eleven years now? In fact, I need to get out of here and stop by Publix on the way home so that Sassy can—I mean, so I can finish up the desserts I’m bringing tonight.”
. . . . . “Oh, good—you’re not cooking.” Zarah’s voice echoed funny, and Caylor assumed she was in the stairwell headed down to the small history museum on the first floor of the Middle Tennessee Historic Preservation Commission’s building.
. . . . . “Ha-ha. So funny. The one time I tried to make meatloaf, and y’all will never let me live it down.” She closed all of her programs and shut down the computer.
. . . . . “More like a really big hockey puck. Gotta go. See you tonight around six.”
. . . . . “I’ll be there.” They said good-bye, and Caylor tossed the phone into her bag, along with everything else she might need over the weekend.
. . . . .The lines at the grocery store made what should have been a relatively quick stop into an ordeal, but she finally made it home with all of the ingredients on Sassy’s list.
. . . . .The sugary, cinnamony, spicy, warm aroma of baking treats wrapped around Caylor as soon as she opened the kitchen door—though the loud music nearly forced her back out again.
. . . . .Sassy danced around the kitchen singing along with Burl Ives on “A Holly Jolly Christmas.” Before Caylor could get her attention, the song ended and a random 1980s hair-band rock anthem started. Caylor heaved the grocery bags onto the table, reached for the portable speakers, and turned down the volume.
. . . . . “You know, I think it might have been a mistake for me to get all of Papa’s vinyl transferred to digital and give it to you on an MP3 player.”
. . . . .Sassy sashayed over toward her, waving a wooden spoon, and took Caylor by the hand. She led her into the middle of the room and started dancing the jitterbug. “You always say that, and then you always end up having a good time anyway.”
. . . . .Caylor gave in and danced with her grandmother for half a minute, then broke away. “There’s cold stuff that needs to be put in the fridge.”
. . . . .After she put the groceries up—those that Sassy didn’t need immediately—Caylor returned to her car for her school stuff, which she took upstairs to her office. While there, she changed into jeans—a pair of sixteens that were on the loose side of fitting, just so she’d be as comfortable as possible tonight—and a white turtleneck with reindeer all over it. She pulled out her pine-tree green cardigan to wear over it. The weather had been mild since the cold snap just before Thanksgiving, but the forecast called for a front to come in this afternoon and make the temperature drop near freezing by nightfall.
. . . . .After a cup of tomato soup and a grilled cheese sandwich, Caylor put on an apron and did what she could to help Sassy—which pretty much meant trying to stay out of her way and hand her things as she needed them.
. . . . .At five thirty, Sassy put the dome over the coconut cake, and Caylor covered the pan containing the Coca-Cola cake with foil. After setting the cake carriers in the back of her small SUV—in weather definitely colder than when she’d gotten home a few hours ago—Caylor took the large tray of cookies Sassy had covered with plastic wrap out, glad she had opted for the SUV instead of the smaller car when she’d decided to get a hybrid vehicle.
. . . . .She ran back upstairs and got her leather jacket to put on over her sweater. Back in the kitchen, she grabbed her keys and slung her purse strap over her shoulder. “Anything else you want to send?”
. . . . . “Oh—wait, the fudge!” Sassy pulled the pan of chocolaty goodness out of the fridge, cut it into one-inch squares and arranged it on a glass plate, which she then covered loosely with plastic wrap.
. . . . .Caylor’s mouth watered. She loved Sassy’s fudge more than anything else, and her grandmother only made it a few times during the Christmas season each year. It was so tempting to conveniently “forget” this in her car and keep it all to herself. But she didn’t want to undo the good she’d done losing weight over the last few months. So she’d limit herself to one piece. Five, tops.
. . . . .With the fudge in the back of the SUV along with everything else, safely out of reach, Caylor headed up to Zarah’s house. In the complete darkness that was six o’clock in the evening in mid-December in Nashville, most of the houses lining Granny White Pike had their Christmas lights turned on, putting Caylor even more in the mood for the dinner she, Zarah, and Flannery had started when they lived together in college. They each invited three people, making an even dozen, and the three of them prepared all the food.
. . . . .Flannery’s car was already in the driveway when Caylor pulled up. She tapped the horn, and Zarah and Flannery came out to help carry everything in.
. . . . .Just like Caylor, neither of her best friends could resist indulging in a piece of fudge as soon as Caylor uncovered it inside—and then laughed at the moaning that ensued.
. . . . .Bobby, Zarah’s fiancé, arrived a few minutes later—having gone home to change clothes after spending the afternoon at the house helping Zarah set up. Caylor averted her eyes when they kissed in greeting. Even though it was no more than just a peck on the lips, a surge of jealousy flared which she couldn’t control, and she didn’t want them to see it.
. . . . .Zarah flew around, being obsessive-compulsive over making sure everything was arranged perfectly while Caylor and Flannery chatted about whom they’d invited. With Caylor, it was the usual suspects—one of the drama professors and two of the English professors, all single, all with no family in the area.
. . . . . At ten ’til seven, the doorbell rang. Caylor crossed to answer it, still laughing over Bobby’s teasing of Zarah.
. . . . .The laughter froze in her throat when she opened the door.
. . . . .On the front porch, his curly dark hair mostly slicked back into a stubby ponytail, his face clean shaven, and looking handsomer than she remembered from just a few hours ago, stood Dylan Bradley.
Thursday Thought Provoker
Debunking Writing Myths: “Eliminate all WASes and HADs from Your Manuscript”
Eliminate ALL instances of was and had from your manuscript. Those are passive verbs, and that means they’re bad, bad, bad.
.
.
Sometimes, you need a good was or had to keep things coherent and easy to read.
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In The Elements of Editing, Arthur Plotnik writes about one of the “Signs of Dysfunctional (Editor-Related) Compulsiveness: Holding to favorite rules of usage, whatever the effect on communication”:
A little Strunk and White is a dangerous thing. Some editors [or writers] are driven by a cursory reading of The Elements of Style to change such sentences as “the outcry was heard round the world” to “everyone in the world heard the outcry.” True, the active voice is generally more forceful, and a procession of passive constructions is a safe cure for insomnia. But the passive voice is a perfectly legitimate alternative when used for variety or to emphasize a key word in the sentence by making it the subject (e.g., “outcry” in the example above).
To give Strunk and White their due, here’s what The Elements of Style says about passive voice:
The active voice is usually more direct and vigorous than the passive:
I shall always remember my first trip to Boston.
This is much better than
My first visit to Boston will always be remembered by me.
The habitual use of active voice, however, makes for forcible writing. This is true not only in narrative concerned principally with action but in writing of any kind. Many a tame sentence of description or exposition can be made lively and emphatic by substituting a transitive in the active voice for some perfunctory expression as there is or could be heard.
There were a great number of dead leaves lying on the ground.
Dead leaves covered the ground.
Note . . . that when a sentence is made stronger, it usually becomes shorter. Thus, brevity is a by-product of vigor.
I took a personal stand against this myth of writing with the opening lines of Love Remains:
- . . . . The sharks were circling.
. . . . Bobby Patterson had been at the party a total of three minutes. But half that time was all it took for the smell of fresh blood to circulate amongst the single women.
Which drew this “critique” from dear writer-friend Krista Phillips:
- Passive voice… Change to “The sharks circled.”
LOL. Sorry, just kidding. It’s fine, love it as a start, but you and I both know that in [a writing contest], those “by the book” critiquers would totally ding you on this! LOL
I’m half tempted to critique by the “rules” just to show how much it’s okay to break them sometimes! I mean, seriously, you used had and was BOTH in the next paragraph! What are you thinking!?! *grin*
I have to confess, before I was published, I most likely would have suggested the author of three such sentences, as the opening lines no less, revise them so that she wasn’t starting her manuscript off with three passive-verb sentences—in all seriousness and with the best of intentions. But, you see, I was one of those brainwashed unpublished writers who believed in “the rules.” I believed that everything said at every writers conference should be taken as gospel, written-in-stone rules; and as long as I followed the rules, I would get published.
Yes, an over-reliance/overuse of was and had is a sign of lazy writing—because it means you haven’t gone back to see if you can revise those sentences using stronger, more active, more descriptive language.
But what gets lost in a strict adherence to “following the rules” is good storytelling. And sometimes good storytelling requires wases and hads. Now, when I judge contest entries, I can tell which entrants have been to one too many writers conferences and worked with too many other unpublished writers as critique partners. Because instead of the sentence structure I had in my opening, I see something more like this:
- . . . . The sharks circled.
. . . . Bobby Patterson entered the party three minutes ago. But the smell of fresh blood circulated amongst the single women in half that time.
Doesn’t flow quite as well, does it?
To address the use of had . . .
The past perfect tense is used for an action already completed by the time of another past action (Jane hailed a cab after she had walked several blocks in the rain) or for an action already completed at some specific past time (By 8:30, Jane had walked two miles).
The Bedford Handbook (Diana Hacker)
This means that if your story is written in past tense and you have something that happened before the current action of the scene, you write about the previous event in the past-perfect tense:
- It had taken Zarah a couple of years to say anything to Kiki about how much it bothered her to have someone make a fuss over her whenever she was sick.
Have you ever read something which confused you about what was happening now and what had happened in the past in the story’s timeline? It’s probably because the author was too scared to use had to indicate a previous event in the timeline.
So how many wases and hads are okay?
One of the best things you can learn how to do for self-editing is to FIND ALL instances of something in the document and highlight them. In MS Word 2007, press CTRL+F or click on FIND in the top right of the HOME ribbon. Type was in the “Find what” box. Click on “More>>” in the bottom left corner of the box, then check “Find whole words only.” Then click on the “Find in” button and click on “Main Document.” It will tell you how many instances of was it found in the document. With the FIND window still open, click on the TEXT HIGHLIGHT COLOR button in the HOME ribbon (between the Change Case button and the Font Color button) and choose the color you want that word highlighted in throughout the document:

Do the same with wasn’t, were, weren’t, had, and hadn’t.
What you see in my example above is pushing it for how many someone can get away with . . . and I can get away with it a little more because I’m already multi-published (neener, neener, neener)—of course, if I’d had time to actually go back and revise Love Remains before I turned it in, I would have done this exercise and eliminated some of the wases and a lot of the hads.
Once you have was/were verbs (in one color) and had verbs (in a different color) highlighted, read through and see if you can reword the sentence with a more active form of the verb:
- The boom of Patrick’s voice reverberated through the house, though Zarah could not make out what he was saying.
becomes
- The boom of Patrick’s voice reverberated through the house, though Zarah could not make out his words.
Sometimes, with had it isn’t past present, it is actually indicating possession (She had a green purse) or necessity (She had to go to the grocery store). In those cases, see what other words you can substitute for those that mean the same thing (She carried a green purse or She needed to go to the grocery store).
You only want to see a few of these terms highlighted on each page. If you have several within one paragraph, you’re probably going to want to revise. (Dialogue, of course, is an exception, because you need to be true to the way people speak . . . to a point.)
What has your experience with this rule been? Do you ever get distracted by seeing was or had when you’re reading? Do you ever noticed convoluted sentences that pull you out of the story that could have been fixed by a good was or had?
Writer’s Window: Nicole Baart
Joining us today for Writer’s Window is Nicole Baart, author of hope-filled literary fiction.
One lucky commenter* will win a signed copy of Nicole’s latest book, Beneath the Night Tree. Deadline for leaving a comment to enter the drawing is Friday. To enter the drawing, you must answer the question posed by Nicole at the end of the interview. Only one comment per person will count toward the drawing. You do not need to include your e-mail address in the body of your comment—just make sure it’s correct when you sign in to leave your comment. The winning name will be drawn and announced on Sunday.
- *U.S. residents only, void where prohibited. If you win the drawing, you will be ineligible for the next three drawings, though hopefully you will still come back and join in the discussion.
__________________________________________________________
I have thought about you every day for the past five and a half years. . . .
I’m sorry. . . .
Do I have a child?Julia DeSmit knew she would face the question eventually, but she didn’t expect it now that she is finally content with the way her life has unfolded. A single mother to her son and younger brother, she cherishes living with her beloved grandmother and is hoping to be engaged to Michael Vermeer—the man of her dreams—by year’s end.
Then a cryptic e-mail from her son’s father spins her world off axis. She hasn’t heard from Parker since he left her in a college parking lot without a backward glance. But one look at her son—the spitting image of his father—is enough to convince her that, for better or worse, Parker is a part of their story.
Faced with this new reality and the potential unraveling of her unorthodox family, Julia begins a tightrope walk between what was, what is, and what she hopes will be.
Welcome, Nicole!
What do you like best about being a writer?
- The money. He-he-he! I actually calculated the hours I spent and the amount I was paid for my last book and it worked out to less than minimum wage. So I guess I’m in this gig because I love to create imaginary worlds… I love to tell stories.
What do you like least about being a writer?
- The money. 😉 Again, kidding. I have a bit of a tough time with deadlines. I meet them, but it’s hard for me. Sometimes the creative process doesn’t follow a set schedule. I’d love to write at my own pace, but then I suppose I wouldn’t get contracts.
Pop, Soda, or Coke? What do you call it, and what’s your favorite variety?
- I call it pop, but I don’t drink it. I’ve always hated it! I keep trying sips of different varieties, but my reaction is always the same: yuck.
What’s your favorite dessert?
- Molten chocolate lava cake with vanilla bean ice cream. I have the most amazing recipe…
What’s the most fun/interesting/crazy/scary/unique hands-on research you’ve done for a book?
- Last year I went to Alaska to research my next book, Far From Here. It’s very loosely based on the true story of my dad’s best friend who went missing on a solo flight in Alaska. Consequently, I was terrified to go up in a Cessna over the Kenai Peninsula. But I did it! And I didn’t even get sick.
What’s your favorite movie from childhood?
- The Sound of Music. Thus my answer to the next question.
If you were to write a novel about what your life would have been like if you’d become what you wanted to be at eight years old, what kind of character would the story be about?
- It would be a story about a nun. I wanted to be two things when I was little: adopted and a nun.
What makes you happy?
- My children. Time alone with my husband. A good book. A long conversation. Hot showers. The smell of freshly laundered sheets. Sunshine. Long walks.
What makes you nervous?
- Deadlines. Bad reviews. Watching my boys play hockey.
What’s your biggest dream for the future?
- I want to watch my three sons (ages 7, 4, and 6 months) grow into kind, passionate, confident men of God.
Tell us about your newest release and what you’re working on now.
- My newest release is called Beneath the Night Tree and it’s the third and final book in my Julia series. It’s about parenthood, choices, love, and loss, and even if you haven’t read my first books I think you’d enjoy it. I’ve written all three books to stand alone, though the picture is definitely more complete when they’re read together.
Also, I just completed a book titled Far From Here. It centers around the story of a pilot who goes missing in Alaska, but it’s really about how his wife deals with his disappearance.
Where can people find out more about you/connect with you online?
- http://www.nicolebaart.com
http://www.nicolebaart.com/blog/
http://www.facebook.com/pages/Nicole-Baart/53232389209
http://www.goodreads.com/author/show/544250.Nicole_Baart
Now it’s your turn to ask the question. What question do you want to ask the commenters to answer?
- I’m in between books right now and looking for a good read myself. What’s the best book you’ve read recently?
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Nicole Baart is the critically acclaimed author of After the Leaves Fall, Summer Snow (a 2009 Christy Award finalist), The Moment Between, and Beneath the Night Tree (February 2011). She writes literary, hope-filled fiction about beauty in brokenness.
Nicole lives in Iowa with her husband and three young sons. She is passionate about global issues and is a founding member of One Body One Hope, a nonprofit organization that works alongside an orphanage in Monrovia, Liberia.
Writer’s Window & Fab Feb Book Giveaway Winners!
The winner of Jenny Jones’s book Save the Date from
last week’s Writer’s Window feature is:
Emily Hendrickson
The winner of Love Remains and The Art of Romance is:
Debra Marvin
The winner of Ransome’s Crossing and Ransome’s Quest is:
Lyndie Blevins
Up for grabs this week:
On Writer’s Window: Nicole Baart’s Beneath the Night Tree (drawn from comments on Monday’s post).
For FabFeb: Love Remains & The Art of Romance and Ransome’s Crossing & Ransome’s Quest (two winners, drawn from comments on Tuesday’s through Friday’s posts).
Good luck! 🙂
Fun Friday–Bits and Pieces and Hardware
Hardware
As you’re all probably aware, I had to go in on Wednesday to have a screw removed from my ankle—the final (medical) step toward my recovery from the broken ankle. Well, since today is three months to the day that I broke it, I thought I’d share a picture of the screw that was removed, and the X-ray, so you can see where it was:
Bits & Pieces
Are you tired of your “monster” avatar when you leave comments? Want your real image—or a favorite avatar to show up when you leave comments here and on other blogs? Go to Gravatar.com, create a profile, and upload the image you want to display. Then, follow the instructions on how to make sure that your Gravatar follows you wherever you leave comments.
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I absolutely loved all of the discussion yesterday about romantic heroes from TV, movies, and books. If you haven’t gotten in on it, click back to yesterday’s post and read all of the posts. Feel free to continue that discussion on today’s post (since comments only count toward the FabFeb contest if they’re left the day the post is published). I think I’ve fin
ally figured out my answer to the question. It has to be Ardeth Bay from the Mummy movies. Either him or Dr. Leonard McCoy from the 2009 Star Trek movie.
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I’ve started watching Stargate: SG1 on Netflix streaming. It’s a fun show, but there’s something about it that really bothers me. Star Trek got around this with the Universal Translator gadget (or a super-smart linguist on Enterprise), but in SG1, though all of these people are supposed to have been taken to other planets from different places on Earth (Egypt, the Middle East, Africa, etc.) about nine hundred years ago, they all speak perfect, American-accented English. The problem with this conceit (and yes, I understand it makes it easier than having half the show captioned or having the characters struggle with communication issues in every episode) is that nine hundred years ago, the “English” that was spoken was OLD English—which to today’s modern English speakers sounds like a foreign language (listen to the song that Eowyn sings at Theodred’s funeral in the extended cut of The Two Towers—that’s Old English, well, an approximation thereof). I know I should be trying to suspend my disbelief, but having studied the history of the English language in college quite thoroughly (one of my favorite courses, as a matter of fact), it bugs me.
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I’m driving home today!
So I won’t be around to join in the discussion until later this afternoon. So please don’t feel like I’m ignoring you because I’m not responding to your comments throughout the day. It’s about a six hour drive home (in good weather) and then I must unload the car and then I’m going to have to make a run to the grocery store for some food necessities—along with everyone else who wants milk, bread, and eggs, since it’s supposed to snow tonight in Nashville. Prayers for safe travel and clear roads (and for the storm to hold of until after I get home) would be greatly appreciated.
Thursday Thought Provoker
Fabulous February–A Month of Romance (Giveaways)

It’s come to my attention that I have three books coming out this year—four counting the Brides of Bonneterre 3-in-1. It’s also come to my attention that I don’t have any shelf space for the author-copies of those books which I’ll be receiving. It’s come to my attention, too, that I haven’t done a book giveaway of any of my books in a long time. It’s come to my attention, as well, that today is the first day of February—the “month of romance”—which means it’s the perfect time for me to be giving away some romance novels.
However, it’s additionally come to my attention that I already have a book giveaway each week on my blog—with the Writer’s Window featured author post each week.
Therefore, I’ve had to put the noodle to work and figure out just how I could do a giveaway without taking away from the authors I’m featuring on Mondays.
The Giveaway
Each week in February, I’ll be drawing TWO winners from comments left on Tuesday through Friday posts (up to three comments per day count toward the drawing). Yes, that’s TWO winners PER WEEK. One winner will receive a signed copy of Love Remains now and The Art of Romance when it releases in May. The other winner will receive a signed copy of Ransome’s Crossing now and Ransome’s Quest when it releases in August.
Entering the Drawing
- You can enter BOTH the Writer’s Window AND the Fabulous February giveaways. If you win one, you are still eligible for the other. However, comments on the Monday Writer’s Window posts will NOT count toward the Fabulous February drawings.
- Comments should be related to the post or to the comment to which you are replying.
- For comments to count toward the contest, they must be left on the post the day the post is published. (No going back to old posts and leaving a bunch of comments to increase your entry numbers!)
- Comments along the lines of “Please enter me in the drawing” will NOT be entered into the drawing.
- Do NOT post your e-mail address in your comment—just make sure it’s correct when you sign in to leave your comment.
- You can only be picked as a winner once in the Fabulous February contest.
- Be sure to look for this logo to remember which posts count toward the FabFeb contest:
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The Disclaimer
Void where prohibited. I don’t really know what that means, but I see that on all giveaways, so I’ll include it. This contest is open to anyone who wants to enter no matter what country you live in (unless it’s prohibited, as indicated in the first sentence of this disclaimer). So that means if you’re in the U.K., Brazil, Australia, New Zealand, or wherever, even, *gasp* Canada, you’re eligible to enter/win also. Yes, that’s how much I love you—I’m willing to shell out the big bucks for mailing the books to wherever you might be if you win. 😉
Questions?
Answers:
Writer’s Window—Jenny B. Jones
Joining us today for Writer’s Window is YA- and contemporary romance–author Jenny B. Jones.
One lucky commenter* will win a signed copy of Jenny’s latest book, Save the Date. Deadline for leaving a comment to enter the drawing is Friday. To enter the drawing, you must answer the question posed by Jenny at the end of the interview. Only one comment per person will count toward the drawing. You do not need to include your e-mail address in the body of your comment—just make sure it’s correct when you sign in to leave your comment. Congratulations to Sylvia M. who won last week’s drawing for Elizabeth Goddard’s book The Camera Never Lies.
- *U.S. residents only, void where prohibited. If you win the drawing, you will be ineligible for the next three drawings, though hopefully you will still come back and join in the discussion.
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You’re invited to the engagement of the most unlikely couple of the year.
When the funding for Lucy’s non-profit job is pulled, she is determined to find out why. Enter Alex Sinclair, former professional football star and heir of Sinclair Enterprises—the primary donor to Lucy’s Saving Grace organization. Alex Sinclair has it all . . . except for the votes he needs to win his bid for Congress.
Both Lucy and Alex have something the other wants.
Despite their mutual dislike, Alex makes Lucy a proposition: pose as his fiancée in return for the money she desperately needs.
Bound to a man who isn’t quite what he seems, Lucy finds her heart – and her future – on the line.
Save the Date is a spunky romance that will have readers laughing out loud as this dubious pair try to save their careers, their dreams . . . and maybe even a date.
Welcome, Jenny!
What do you like best about being a writer?
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The fat paychecks and company cars. 😉
Other than that, I love getting to be creative and seeing it out there in the world. I love creating stories and having the weird, unexpected honor of having someone enjoy it and choose to pick up your book. The fact that someone chooses to read my books still blows my mind. It’s huge that I get the opportunity to share the light of Christ through fiction, and the biggest deal to me to entertain and possibly make someone laugh.
What do you like least about being a writer?
-
Sitting. Hate. It. I recently read that those who have sedentary jobs or lives die 10–15 years earlier than those who are not “sitters.” Great. Very encouraging.
Pop, Soda, or Coke? What do you call it, and what’s your favorite variety?
-
Oh, girl. Don’t even bring it up. I gave up Diet Dr. Pepper, Diet Coke and all things aspartame on June 21 2009 at 2pm. It still makes me tear up just to think about it. So my drink of choice? Water. Thrilling water. (And I’m a total tea addict, but try to avoid that as well. I’m just not fun in the drinks department.)
What’s your favorite dessert?
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What isn’t my favorite? I think strawberry shortcake or strawberry pie. And I could eat ice cream for every meal. When I was a kid, I had ice cream a few times a year. It just wasn’t something I was that crazy about, but now I can’t get enough of the stuff. Why couldn’t I have acquired a taste for green beans?
What is yours?
- K: Mine is creme brulee cheesecake from Amerigo, an Italian restaurant in Nashville—it combines my two favorite desserts!
What’s the most fun/interesting/crazy/scary/unique hands-on research you’ve done for a book?
-
For books I’ve traveled to Ireland and Charleston, South Carolina. Both places are beautiful. I’d go back to Ireland in a heartbeat. Charleston is the setting for Save the Date, my new romance, and I fell in love with that town as well. But they need to pipe in some air conditioning. That is one hot place.
Craziest would probably be a WWE Smackdown wrestling match I went to (and somehow talked two friends into going). In my Charmed Life series for teens, my character’s stepfather is a professional wrestler. It was a crazy fun experience to go to the match. Lots of yelling, lots of diehard fans. Lots of spandex.
What’s your favorite movie from childhood?
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Annie. I just heard last week that Will Smith has “arranged” for his daughter Willow to star in a remake. There can be no remake! Are they kidding? If Carol Burnett isn’t in it, it’s total blasphemy.
What was yours?
- K: Star Wars—Saw it for the first time when I was six, could quote it word-for-word by the time I was nine. As to the Annie remake—I heard that, too, but isn’t one of the main characteristics of the character that she have bright red hair?
If you were to write a novel about what your life would have been like if you’d become what you wanted to be at eight years old, what kind of character would the story be about?
- A princess-actress-president who owns some puppies and kitties and lives in Buckingham Palace and eats lots of pizza.
What makes you happy?
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Sunshine, snow days, small things, new pens, laughter, learning new things.
What makes you nervous?
-
Wasps, Egypt, airplane takeoffs, and the idea that one day God is going to quiz me on 1st and 2nd Chronicles.
What’s your biggest dream for the future?
-
Crazy wild joy. Whatever that looks like.
Tell us about your newest release and what you’re working on now.
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Save the Date just released. It’s about Lucy Wiltshire, who is struggling to keep the doors of her girls’ home open and prays for a miracle. Alex Sinclair, football star, American celebrity, and known playboy, is running for Congress and needs to look like he’s settling down. In the midst of catastrophe, their paths cross, and Alex makes a proposal Lucy will never forget: to pose as his fiancée until his campaign is over in exchange for his saving her group home.
As if maintaining a farce of an engagement isn’t hard enough, secrets begin to surface for both of them, and each new challenge only throws them together more and draws them unexpectedly closer.
They have such a good strategy, but it begins to unravel right before them. When it comes to love and lies, nothing ever goes according to plan. Will Alex and Lucy scrap their own playbook and follow God’s? (Um, are bridesmaid dresses hideous and a curse on all who wear them?) Save the Date is about an engagement that goes too far and a couple who have a chance at love that only comes once in a lifetime.
Where can people find out more about you/connect with you online?
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I blog at www.jennybjones.com as well as www.southernbelleview.blogspot.com, a new blog about the life of a Southern girl. I share that blog home with authors Lisa Wingate, Rachel Hauck, Beth Webb Hart, and Marybeth Whalen.
I’m on Facebook at http://www.facebook.com/jenny.b.jones
And I pretty much live on Twitter at http://twitter.com/jenbjones
Now it’s your turn to ask the question. What question do you want to ask the commenters to answer?
-
Oh, fun. Okay, you’re stranded on a desert island with only one DVD. (And a DVD/TV combo you created out of coconuts.) Which one is it you could watch over and over?
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Jenny B. Jones writes Christian fiction with equal parts wit, sass, and untamed hilarity. When not writing, she’s living it up as a high school teacher in Arkansas. Since she has very little free time, she believes in spending her spare hours in meaningful, intellectual pursuits, such as watching E!, watching Will Ferrell movies, and writing her name in the dust on her furniture. She is a four-time Carol Award–winning author of new release Save the Date and the Charmed Life series for young adults. You can find her at www.jennybjones.com.










